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猛牌Monitor Audio MASS 5.1声道套装
该产品入选下列获奖项目: 日本VGP 2018夏季大奖获奖器材全名单 Monitor Audio Mass 5.1声道套装在结合时尚、简洁、小巧的前提下,声音竟表现出超出其尺寸的能量,小巧环绕扬声器搭配的超低音扬声器也颇具诚意,同样精美的外观,搭载10英寸单元,在客厅中能充当时尚装饰时,看电影时也不会对低频能量有太多妥协,是为两全其美之策。 环绕扬声器拥有十分紧凑的设计,五个扬声器的参数和大小是一模一样的,中置声道扬声器名为Mass Centre,其余四个扬声器名为Mass 10,Mass Centre高128毫米、宽228毫米、深128毫米,Mass 10高224毫米、宽128毫米、深128毫米,这其实就是横放和竖放的区别,五只扬声器内里是一样的。Mass 10和Mass Centre的频率响应为80Hz-30kHz,灵敏度为82dB,两路分音设计,搭载一个4英寸C-CAM中低音单元和一个25毫米C-CAM高音单元,阻抗为8Ω,最大声压级104dB,最大承受功率为100W,重1.65公斤。中置声道还配有一个垫子,设有一定的仰视角度,让其高音单元能对准观看者耳朵位置,带来更好的声轴响应。 时髦的曲面设计,即使是摆放在客厅之中,也完全不会显得呆板,十分简约时尚,搭配绝大部分的家装风格,都是合适的,黑色色调显沉稳,也十分百搭。整个保护防尘网完全是一体化设计的,这样能让扬声器外观看起来比选用分体防尘网更加连贯、更加精致。扬声器的上下(中置为左右)两边,为银色金属拉丝的设计,这两块金属拉丝盖子,笔者也发现了其做工之考究,盖子弧形的边缘面,进行了进一步的加工,让其线条感凸显的同时,并不会有任何刮手的情况,金属拉丝同样经过进一步加工,拉丝摸起来十分丝滑,绝对没有粗制滥造的拉丝面板般刮手,这就让整个扬声器的精致程度更突显了。轻轻拿出其中一个金属拉丝盖后,就能看见内里藏有的接线柱,也就是说,Mass的环绕以及中置,都没有把扬声器接线柱外露于箱体外。再看看箱体的背部,同样十分简洁,一块弧形钢琴烤漆面板除了贴上扬声器基本信息外,还有一个倒相孔,同样做工精细,再看到边上,有一个半弧形的缺口,这个缺口正是方便扬声器放置于电视机柜上用的,当你揭开盖子并且安装完喇叭线后,可以顺着这个缺口把线引导出来,再合上盖子,这样即使是有线连接线,也能保证前后、左右面板的整洁。不得不说的是,Mass套装具有可另外选配的扬声器脚架,这个脚架顶部是带有扬声器接入插头的,可直接将扬声器正负极对准插进其中,通过脚架内的延长线,再连通于脚架底部扬声器插孔,如此一来,所有环绕扬声器的连接线你都不会看到了,因为都通过与脚架的连接,最终可隐藏在地面。 Mass 5.1配的超低音扬声器,确实比笔者想象中的大、有诚意。在笔者见过的一些方案中,类似Mass 10和Mass Centre这样尺寸的扬声器,其搭配的超低音扬声器都不会很大,甚至很薄。但实际上,要结合产品外观以及家居搭配综合考虑来选购扬声器的人,他也会希望,即使是环绕声道个体较小,也不想通过搭配尺寸太小的超低音扬声器,没有了整个家庭影院最具魅力的低频,Mass 5.1的这款超低音扬声器Mass W200,个头比环绕扬声器大了很多,单元口径为10英寸,那么低频的量感就有所保障了。Mass W200为主动式设计,具备一个10英寸 C-CAM长冲程低音单元以及一个10英寸被动单元,形成密闭式设计。如此小巧的环绕声扬声器还能搭配这样主动单元加被动单元的密闭式超低音,可见猛牌还是非常有诚意的。Mass W200最低可下潜至30Hz,并且分频点可在40Hz-120Hz中调节,内有D类数字放大器,其输出功率为220W,尺寸为高420毫米、宽385毫米、深385毫米,重量为15.44公斤,箱体为MDF板。 Mass W200的外观是与Mass 10和Mass Centre高度趋近来配合的,所以同样有出色的外观设计,为了方便调节和安装,Mass W200的输入输出和调节面板就不能像Mass 10和Mass Centre那样隐藏了,但是Mass W200仍然具备内嵌式的面板设计,这样能方便用家即使是要把超低音扬声器推到墙角,也不会因为连接线的问题而有所阻碍。在这个面板当中,笔者看到讯号输入端除了左右声道RCA之外,还有LFE单声道输入,这个就比立体声输入要常用了,带有12V联动触发器、输入电压可调、分频调节旋钮以及声压调节旋钮外,还有三个开关,分别是低音效果DSP的开关,配有电影、音乐档位可调节,相位开关,可选择0°和180°以及电源模式调节,以及可选自动模式以及常开模式。 Mass 5.1给予笔者的,不仅仅是时尚、精美外观的视觉享受,在声音方面同样是可圈可点的,很多小箱体扬声器到了大声压就会出现所谓“箱声”或其他不同情况的失真,降低了听感,而Mass套装却没有这样的感受,如此小巧的扬声器,即使是火爆的电影画面,声压调大的时候,声音也能稳下来,各音轨的声音依然清晰稳定,完全不会吵和乱,枪声与音乐声分离明确,超低音的表现也是可圈可点,搭配Mass 10和Mass Centre,提供了足够的量感,无论是电影和音乐,都能有很不错的表现。即使是深夜观影,这套Mass 5.1依然能提供清晰、凝实的人声,加上适中的低频,能把整个电影的氛围烘托得很好。
猛牌Monitor Audio Silver 200 AV12家庭影院音响系统
该产品入选下列获奖项目: 【年度】知名杂志《What Hi-Fi》2017年度最佳产品评选全部获奖名单 《What Hi-Fi?》揭晓2017年度最佳影音产品(27款器材榜上有名) 猛牌(Monitor Audio)篇:只看尖儿货!“各品牌获奖器材集锦”系列报道 《What Hi-Fi?》2018年度大奖获奖器材全名单 【精选专题】《What Hi-Fi?》“2019年度大奖”获奖器材全名单 If you’ve already cast an eye over our review of the Monitor Audio Silver 200s, our assessment of the Silver 200 AV12s probably won’t come as a surprise. Effectively, it’s pretty much the same storyline with a few extra characters. The Silver 200s, the smallest of three pairs of floorstanding speakers in this sixth generation of Monitor Audio’s long-running Silver series, are again the headline act in this surround package. We recently cooed over their speed, expression and sense of fun as a stereo pair, and their designers’ efforts to match that character in the rest of the range immediately whets our appetite to hear them performing as a part of a family. But despite the 200 appearing in the title of this package, the floorstanders’ stage is shared with three equally talented protagonists – the Silver C150 centre speaker, Silver FX surround speakers and Silver W-12 subwoofer. The whole range has been designed for what Monitor Audio describes as ‘modern living’. This means not only more diminutive chassis, but also that the company’s engineers have worked to tune the speakers to ensure minimal variance in performance, regardless of positioning. During our testing period with the Silver 200s, we find that rings impressively true. They thrive most when placed around 50cm from our back wall, but with only marginal discrepancies when almost flush to it, or out in the room. These differences perhaps become a matter of personal taste when it comes to extra bass weight or a faster, more sharply-timed delivery. The company also sought the help of the National Physical Laboratory’s precision laser scanner when creating the cabinets, used to identify resonances and then help position internal bracings more accurately, ensuring rigidity and minimising any colourations. But the first changes you’re likely to recognise when gazing upon these new speakers, the Silver W-12 aside, are reflected aesthetically in the recalculated form of Monitor Audio’s iconic gold-dome tweeter and C-CAM (ceramic-coated aluminium/magnesium) drivers. The 25mm tweeter – one either side of a mid/bass driver on the angled fascia of the Silver FX, and one each on the Silver 200 and Silver C150 – has been fine-tuned for clearer, smoother and distortion-free high frequencies, and set behind a new speckled grille. The larger drivers too have been redesigned, aided by a DCF coupling mechanism between voice coil and cone, which has trickled down from the company’s flagship Platinum II Series and aims to lower distortion and facilitate cleaner-sounding highs. The Silver 200 and Silver C150 each have two 13cm C-CAM drivers in a 2.5-way configuration, while the Silver FXs have a 15cm driver in a two-way crossover. While the cabinets of their counterparts are sealed, the Silver 200s also benefit from a pair of rear-firing HiVe II reflex ports, which use a straight-rifled design to accelerate airflow and reduce turbulence – effectively moving air in and out more swiftly for faster, more powerful bass response. A final word on the design of those Silver FX surround speakers: their semi-hexagonal design and easily switchable dipole/bipole modes is a real touch for those unable to place them over the shoulders of their listening position. Instead you can wall-mount and still achieve a wrap-around soundfield that would be unattainable using more traditional standmounters. And then there’s the Silver W-12 subwoofer, which faces us with a 30cm version of the dished C-CAM cone, though bereft of the lotus-like dimples adorning those drivers on the rest of the range. It’s driven by a 500W Class-D amplifier and a large black anodised 75mm voice coil that Monitor Audio says provides higher power handling and low distortion. It also offers three EQ settings – Music, Movie and Impact – and a top-mounted control panel to dial in easily more or less low frequency heft without scrolling through the settings each time via your amp. The only real caveat here would be for those with their hearts set on the high gloss black veneer – it will set you back an extra ten per cent (£290). But so pleasing are Monitor Audio’s five alternatives – black oak, walnut, rosenut, natural oak and satin white – that we can’t see many potential suitors being alarmed. We begin our testing with something of a false start. Having become accustomed to the Silver 200s’ full bodied, expressive sound, it was clear that even after a couple of nights’ running in the rest of the package isn’t keeping pace. There’s none of the warmth or dynamic range, and treble frequencies don’t ring with that familiar clarity. It isn’t unusual for speakers to take up to 100 hours to really hit their stride, so if you’ve got the Silver 200 AV12 package home and are initially unimpressed, we’d simply advise a little patience. The pay-off is huge – give these speakers a little extra time to prepare, and it’s as if they’ve breathed a sigh of relief, composed themselves and lost the first night nerves. Suddenly, the crashes, bangs and wallops of The Lego Batman Movie are thrown at us, as if physically travelling around the room with incredible cohesion as each speaker complements the others’ character. We give the sub a little extra room to rumble than our initial set-up permitted, and it sets the foundation for a performance of concrete solidity. But even as we add to those low frequencies, it does nothing to detract from the pace we admired when testing the Silver 200s on their own. As a whole, the package times with military precision, driving the film’s plentiful action scenes with relentless momentum and delivering quips with the comparative sharpness of their wit. But a surround package lives or dies by its centre speaker, which carries the burden of the work. The extra hours of running in make all the difference: there are inflections in deadpan deliveries, urgency in moments of panic and musicality in the soundtrack. Rarely are we so fully behind a speaker package for its work both in stereo and in surround sound, but with these Monitor Audio Silvers you truly are achieving both for the price of one. And our admiration fails to dwindle as we shift to a DVD of Radiohead’s King Of Limbs performance live from the basement. Even through an AV amp, there is that same musical quality and sense of energy when it comes to handling music that makes it difficult to choose whether to watch a film or put on a record. We said this would be a similar storyline as with our Silver 200 review, and it is. But if we end up treading the same ground with Monitor Audio’s next generation of Silver speakers, we won’t be disappointed at all.
猛牌Monitor Audio MASS 5.0家庭影院系统
该产品入选下列获奖项目: 日本VGP 2017夏季大奖获奖器材全名单 Monitor Audio's diminutive MASS 5.0 home theater system demonstrates award-winning Monitor Audio engineering in all its glory. It consists of four compact MASS 10 satellite speakers and its center-channel counterpart, the aptly named MASS Centre. Packed with technology and easy-installation features, the MASS system offers impressive audio dynamics with décor-friendly styling for the perfect integration of great sound in your home. Monitor Audio MASS 10 Satellite Speakers Damped polymer molded cabinet with internal ribbing Concealed, discreet cable termination inside end cap using binding post type connection Monitor Audio MASS Centre Speaker Black cloth finish with contrasting solid aluminum end caps
猛牌Monitor Audio Bronze 5.1家庭影院音响系统
该产品入选下列获奖项目: 欧洲影音大奖EISA AWARDS 2016-2017年度评选:“家庭影院音频类”获奖产品专题 猛牌(Monitor Audio)篇:只看尖儿货!“各品牌获奖器材集锦”系列报道 As entry-level speaker ranges go, you’ll have to go a long way to find a more beautiful and better bolted together series than Monitor Audio’s Bronze. The secret behind its success is revealed in the company’s custom one-piece C-CAM cones, employed for the first time in the Bronze series and which use their entire surface to radiate sound. The defining characteristic of the Bronze 6, Centre and FX speakers is their sublime high-frequency reproduction, which bursts with detail and texture. Dialogue, meanwhile, is solid and focused, the speakers handle dynamic shifts with consummate ease, and Monitor Audio’s W10 subwoofer anchors the performance with slamming subterranean rumble. It’s a thrilling multichannel ensemble.
猛牌Monitor Audio Platinum Ⅱ系列扬声器
该产品入选下列获奖项目: “CES 2016大奖明星产品”(Stars of CES 2016 Awards)揭晓 2016布里斯托影音展十大最佳发烧音箱新品 猛牌(Monitor Audio)篇:只看尖儿货!“各品牌获奖器材集锦”系列报道
猛牌Monitor Audio Bronze B5 AV音响系统
该产品入选下列获奖项目: 《What Hi-Fi? Awards》2015年评选:“音箱套装”获奖产品 优中选优——26款产品荣获“What Hi-Fi 2015年度最佳”发烧音响大奖 《What Hi-Fi? Awards》2016年年度评选揭晓:获奖影音器材产品全名单 【精品专题】搭建影院不费脑 看看权威媒体推荐的这五套靓声套装音箱 猛牌(Monitor Audio)篇:只看尖儿货!“各品牌获奖器材集锦”系列报道 Hand-me-downs have rarely been so appealing. When Monitor Audio upgraded its Award-winning Bronze home speaker package, it made sense to use technology from the company’s pricier ranges. The B5 AV system comprises the new Bronze Centre, two Bronze FX surround speakers (whose three-faced and easily wall-mountable design means versatility in positioning) and Bronze W10 subwoofer (as do all Bronze packages) and a pair of Bronze 5 floorstanding speakers for front channels. Build The technology upgrade centres on new C-CAM drivers (made of Ceramic-Coated Aluminium/Magnesium, a material originally developed for jet engine components). For the midrange and bass drivers, the stiffness and damping quality of that dished cone claims to aid control and reduce break-up. The drivers are also an inch smaller in diameter than previous models, helping reduce the speaker’s overall footprint. The tweeter’s C-CAM dome is gold anodised for stiffness and also dampening, meaning that the sound shouldn’t harden at its highest frequencies.