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  • 1982
  • 美国
  • Martin Logan
  • www.martinlogan.com
  • Martin Logan,2101 Delaware St.,Lawrence,KS 66046,U.S.A.
  • 001-7857490133
  • 关于该品牌的最新媒体报道: MartinLogan于1982年在美国肯萨斯州成立,由Gayle Martin Sanders 和Ron Logan Sutherland两人共同创立,素以不断追求技术突破及重达自然的音乐声效为宗旨。该品牌独家拥有世界扬声器领域最高难度的曲线式线源静电专利技术,能够将“声”与“型”完美相结合,以此受到了全球众多艺术家及设计师的广泛追捧。在过去的岁月中,旗下产品都以事实证明其产品性能超卓、质量可靠,为音乐爱好者提供最准确逼真的听觉享受。曾荣获国际上多个重要音展会的设计奖,这些成果促使MartinLogan成为极品艺术扬声器的标志。 __________________________________________________________ 马田卢根Martin Logan于1982年在美国肯萨斯州成立,素以不断追求技术突破及重达自然的音乐声效为宗旨。该品牌独家拥有世界扬声器领域最高难度的曲线式线源静电专利技术,能够将“声”与“型”完美相结合,以此受到了全球众多艺术家及设计师的广泛追捧。在过去的岁月中,旗下产品都以事实证明其产品性能超卓、质量可靠,为音乐爱好者提供最准确逼真的听觉享受。曾荣获国际上多个重要音展会的设计奖,这些成果促使Martin Logan成为极品艺术扬声器的标志。 谈及Martin Logan,就如同大家认为的一样,是一对叫做Martin Logan的人创立而成的。Sanders说:“MartinLogan和SandersSutherland相比,前者听着比较顺耳呢。”20世纪70年代末,两人在Sanders位于堪萨斯州劳伦斯的高端音响店相遇了。Sanders学的是建筑和广告,而Sutherland则是电气工程。尽管有着完全不同的背景,但他们彼此都对音乐和静电扬声器怀揣着同样的热情,都是那种迷恋着静电学,追求极致的声音纯净度和清晰度的人。在20世纪50年代,市场上只有少数几种静电扬声器,出名的也就一到两个。这些扬声器有点过于讲究细节,且受到传统扬声器的限制。它们缺乏低音,音量也有限,需要非常特别和强大的功放来支持,看上去似乎就要到失败的边缘了。虽然暂时还无法重现震撼的摇滚和磅礴的交响乐,但如果播放原声爵士乐和室内乐,静电扬声器的表现都是超群的,Gayle和Ron推测,静电理论本身是没错的,只是受制于材料和技术的应用。他们决定克服技术的限制,创立Martin Logan。 美国《Inc》杂志曾授予MartinLogan为美国5 0 0 家发展最迅速的私营企业之一。不久之后,Martin Logan就发布了世界上首款静电中置和挂壁式环绕, 使得公司成为新兴家庭影院市场的主力军。 如今,Martin Logan 已成为国际舞台上的首席品牌, 现公司旗下产品包括有: 静电扬声器系列、传统扬声器系列、以及嵌入式定制安装扬声器系列。当然, 我们也提供经济的户外扬声器系统, 当您与家人、朋友们在泳池边、露台上、又或是庭院中休闲娱乐时, 都能享受到Martin Logan的迷人音质。 Martin Logan官方网站上的品牌介绍: The History of MartinLogan The MartinLogan Story People often assume that MartinLogan was founded by a couple of guys named Martin and Logan, which is sort of true: Gayle Martin Sanders and Ron Logan Sutherland. MartinLogan "just sounded better than SandersSutherland," Sanders explains. (Apparently they never considered GayleRon.) The two met in the late '70s at a high-end audio store Sanders managed in Lawrence, Kansas. Despite very different backgrounds?Sanders had trained in architecture and advertising, Sutherland in electrical engineering they shared a passion for music and, they soon discovered, electrostatic loudspeakers. For anyone seeking the ultimate in sonic purity and clarity, electrostatics held enormous appeal. Unfortunately, designing and building one that will also produce the sound levels and bass extension most people expect from a loudspeaker is a formidable challenge, even today. Back then, only a relative handful of electrostatic speakers had ever been brought to market. Although most were failures, a few, such as the KLH Model 9 and Quad ESL, were legendary among audio enthusiasts. The KLH probably came closer than any other full-range electrostatic speaker of its day to competing effectively with conventional speakers in bass and output capability. It was very big, however, and finicky and expensive, and it didn't fit in at all with the rest of KLH's line. Consequently, sales were modest, and eventually the Model 9 went out of production. The Quad ESL was much more successful, especially in its native England, and until MartinLogan's products came on the scene it was arguably the only commercially significant electrostatic loudspeaker in history. It suffered the classic limitations of the breed, however. though the original Quad electrostatic was widely regarded as the world's finest reproducer of chamber music, fans of rock and even symphonic music were inclined to look elsewhere. There Must Be a Better Way Sanders and Sutherland convinced each other they could do better. They were sure they could build an electrostatic speaker that would produce adequate bass, output, and sound dispersion without arcing, blowing up amplifiers, or otherwise offending people not interested in a living-room science project. Sanders organized a small research and development team to transform an original design he had tinkered with for more than a decade into a practical, marketable electrostatic transducer. The first prototype was ready in 1980. Naturally, it still had that science-project quality?a flat aluminum panel sprouting wires, struts, transformers, and power supplies, connected to an amplifier in Sanders' living room. It sounded even better than expected, but when they turned up the volume, a lightning storm erupted across the panel and music was replaced by a plume of smoke drifting toward the ceiling. Still, they knew they were close. The team began a series of experiments with new aerospace materials that led to a design breakthrough. Constructed with state-of-the-art conductive coatings, insulation, and adhesives, their revised transducer sandwiched a clear, ultra-light Mylar diaphragm between two perforated-steel stators. The new speaker looked elegant and could play loudly without arcing, but Sanders still struggled with how to achieve satisfactory high-frequency dispersion without compromising sound quality. (Large transducers tend to radiate high frequencies in a narrow beam rather than fanning them over a wide area.) The solution came in a midnight session when Sutherland sketched a theoretical sound wave to illustrate how sound disperses. Sanders envisioned a horizontally curved panel, the curvilinear line-source, or CLS, transducer central to the design of every MartinLogan electrostat since. With only a mock-up and some photographs, Sanders and Sutherland exhibited their speaker concept at the 1982 Consumer Electronics Show in Chicago. An instant hit, the design was honored with a CES Design and Engineering Award. Excited by the response, they headed home to Kansas to translate their ideas into a working prototype. Up to Speed Through a network of high-technology manufacturers, Sanders and Sutherland enlisted the help of other engineers with cutting-edge expertise and interest in the project. The company that fabricated the space shuttle's filtered windows and the people who created Teflon-coated cookware joined the design team. From their combined effort emerged a patented vapor-deposition process, an optically transparent diaphragm that could support a 5,000-volt charge, and a conformal coating that uniformly insulated each perforated stator to a charge of up to 10,000 volts. By the time of the 1983 CES, they had developed a full-range hybrid electrostatic loudspeaker they called the Monolith. A renowned high-end audio company used a prototype pair in its room at the show to demonstrate its electronics. Dealers who heard them were bowled over by the sound of the visually stunning, see-through Monoliths and, more importantly, eager to sell them. It was at this point that Sanders and Sutherland put their middle names to the venture and set about satisfying the demand they had created. MartinLogan finally took flight. The first couple of years were touch and go. Working with just one full-time and one part-time employee, they built and shipped the first 10 pairs of Monoliths. Despite specially designed cartons, three pair were ruined in freight?a near-catastrophic loss for the young company. Undeterred, they rebuilt the speakers and pressed on, establishing in the process the guaranteed-satisfaction policy that stands behind MartinLogan quality and workmanship to this day. Sales started to surge in 1985, and the company was finally on a firm footing. Sutherland departed to return to his first love, electronics. The next year MartinLogan moved to its current location at 2001 Delaware Street. At the same time international distribution for the Monolith took off with startling success. Steady growth followed. By 1988 sales had increased tenfold and the plant had expanded to include a large, dedicated production space. In 1989, and again in 1990, Inc. magazine recognized MartinLogan as one of the 500 fastest-growing privately held companies in the United States. In the early 1990's MartinLogan released the world's first electrostatic center-channel and on-wall surround-channel speakers, establishing MartinLogan as a major player in the emerging home theater market. It was during this time in the early 90's that some of MartinLogan's most beloved classic electrostatic speakers were introduced, including the Aerius, SL3, Quest, and Cinema. MartinLogan's most ambitious product to date began to take form in 1997. The resulting 2000-pound Statement e2 loudspeaker shocked the audio world and today is still considered by many to be the apex of no-holds-barred loudspeaker design. The innovative design and engineering behind the Statement e2 fueled the next generation of MartinLogan electrostatic speakers (not to mention ML's first non-electrostatic product). Released in 1999, the Prodigy electrostatic loudspeaker incorporated much of the design and engineering knowledge gained during the Statement project. Prodigy in turn inspired an entire new generation of electrostatic products including the Odyssey, Ascent, Aeon and Theater. All the while sales and distribution continued to expand. What followed was one the greatest challenges ever faced by MartinLogan engineers - the design of MartinLogan's first non-electrostatic product. In 2001 the legendary Descent subwoofer (featuring servo-control and BalancedForce technologies) took the market by storm establishing MartinLogan as a major player in the growing subwoofer market. In 2003 Design Series was launched. MartinLogan's high-end pedigree and years of design know-how allowed the design and engineering team to produce this increasingly smaller and more affordable line of speakers without sacrificing the quality and performance that the MartinLogan name has come to represent. Now firmly established as a loudspeaker 'technology' company (not just an 'electrostatic' company) MartinLogan ventured where few high-performance speaker companies dare to tread... inside of a wall. The Voyage and Passage in-wall loudspeakers (released 2004) challenged the entire audio industry by releasing in-wall speakers with true high-performance sound. MartinLogan Today In January of 2005 MartinLogan once again raised the bar for high-performance audio with the release of the Summit electrostat. A major departure from all things that came before, Summit combines dual independently powered woofers with MartinLogan's most advanced electrostatic transducer to date - the XStat. In October of 2005 ML was acquired by a subsidiary of ShoreView Industries. ShoreView is a financial firm that makes investments in entrepreneurial, well-run private companies. Like you, ShoreView recognizes MartinLogan's commitment to quality performance audio products. ShoreView is a passive investor that is not from the loudspeaker or audio business and is not involved in day to day operations. Today, MartinLogan is a growing company with an internationally recognized brand, a top-notch team, superior design and technology and smart customers who value the best speakers on the planet.
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  • HIFI烧友评说马丁▪洛根(静电之王) Martin Logan(MartinLogan)产品
  • 就是这个声音!MartinLogan新当家Neolith

    【爱威影音AVSTYLE 评测】MartinLogan在我眼里是一家作风很大胆的厂家,静电音箱是它的拿手绝活。虽然设计和制作静电音箱的厂家并不只有MartinLogan,但它最为人熟悉的地方是采用混合式设计,解决了静电振膜的低
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  • 看电影好、听音乐更好:马丁▪洛根(静电之王)Martin Logan Cadence Soundbar

    【音响共和国 蔡承融评测】随着科技不断进步,液晶电视的尺寸越做越大而且越来越薄,但机体变薄了也使得内建喇叭的内容积跟着缩小,甚至连喇叭单元的口径都不能太大,声音表现自然就受到了限制。 想
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  • 清晰、通透、快速 —— 马丁▪洛根(静电之王)Martin Logen EM-ESL C 中置扬声器

    【FIPLAY订阅号 评测】都说超低音是影院系统的灵魂,同样非常至关重要的,就是中置扬声器。它肩负的东西可多了,它负责了电影内容中几乎所有的人物对话内容,所以对于中置的人声要求也不能低;电影中主要
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  • 精评新世界静电喇叭巨作静电之王MartinLogan Renaissance ESL 15A

    【FIPLAY订阅号 评测】MartinLogan已是静电喇叭的领导品牌,然而,该厂依旧追求超越自我,试图打造静电中如同“蒙娜丽莎”等级的大师之作。这次,MartinLogan推出全新旗舰级喇叭Renaissance ESL 15A,将该厂三十年来累
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  • 马田卢根(静电之王)MartinLogan Impression ESL 11A座地式扬声器让你领略如高山之清泉的声音质感

    【FIPLAY订阅号 评测】MartinLogan的静电扬声器,相信各位在展会碰见过或者是聆听过后,都会产生较为深刻的记忆。在2016年的德国慕尼黑Hi-End音响展上, MartinLogan便推出了两款新的静电扬声器——ESL 13A、ESL11A,而
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  • 高山之清泉 MartinLogan Impression ESL 11A

    【爱威影音AVSTYLE 评测】MartinLogan的静电扬声器,相信各位在展会碰见过或者是聆听过后,都会产生较为深刻的记忆。在2016年的德国慕尼黑Hi-End音响展上, MartinLogan便推出了两款新的静电扬声器——ESL 13A、ESL 11A,
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  • 马丁洛根(静电之王)MartinLogan新款Motion系列印象介绍

    【爱威影音AVSTYLE 评测】随着影音市场的日渐成熟,打造一套完美的家庭影院已经成为时下的一大热门趋势。为了还原高品质的环绕声效果,多声道的音箱系统备受影音爱好者们的推崇。但由于家庭影院音箱系统
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  • 马丁洛根(静电之王)MartinLogan新款Motion系列印象介绍

    【爱威影音AVSTYLE 评测】随着影音市场的日渐成熟,打造一套完美的家庭影院已经成为时下的一大热门趋势。为了还原高品质的环绕声效果,多声道的音箱系统备受影音爱好者们的推崇。但由于家庭影院音箱系统
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  • 精致&细腻并存 MartinLogan Crescendo

    随着智能型装置的发展与普遍化,无线传输这个功能影响了许多业界生态,尤其是3C界的产品,无线串流几乎成了必备功能之一,而在音响界也掀起了一股无线串流的旋风。以静电扬声器起家且闻名于全球的Ma
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  • 给你满满的细节——Martin Logan Motion 15书架喇叭

    看到美国Martin Logan第一个想到的肯定是他们家的静电喇叭,透明清澈的音色实在是令人回味无穷。不过您知道吗?Martin Logan旗下不只有静电喇叭,他们还推出了Motion多声道系列,譬如这次试听的Motion 15,就是一款结
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  • 贴身的温暖乐音——试听Martin Logan Mikros 70耳机

    以静电喇叭出名的美国Martin Logan,现在也加入耳机市场的战局了!用Mikros作为新的注册商标推出两款耳机,分别是Mikros 70耳道式耳机与Mikros 90耳罩式耳机,在两大类别各出一款「独一无二」的产品,似乎告诉我们Mik
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  • 二音路静电混血喇叭——MartinLogan EFX

    静电扬声器其实早在上世纪30年代就已经发明出来了,不过受限于当时的技术条件,无法制造出实用产品,从而让电动式扬声器慢慢占据了整个市场。如今,美国Martin Logan成为了音响界中最知名的静电扬声器生产厂
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  • 三音路设计——MartinLogan Motif X

    在任何一种平面振膜喇叭(铝带、静电、音圈贴覆式)上,由于高频到低频发声动作都是同时进行的(如果有高低分音又另当别论),发出来的声波像一条线一样往前方扩散,我们称之为「线音源扬声器」。 平
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  • 清澈 透明 纯净——静电之王Martin Logan THEOS落地箱

    我很怀念以前「平面振膜喇叭」的声音,那种新鲜、纯净的声音,现在多半只有在天价制品上才有机会听到,然而也因为平面喇叭的独特性,每一款制品都需要原厂「自行开发」专属的零组件、制程需要耗费大量人
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  • 数位式超低音——MartinLogan Dynamo 1500X

    多数音响迷对平面振膜喇叭非常陌生,一方面因为目前市场上的品牌种类太少,能见度低,音响迷少有机会接触;另一方面是平面振膜喇叭真的不太好摆,家里空间要是不够大就容易显得局促。但若是因为缺乏了解
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  • 开放、空灵、飘逸、清新------ Martin Logan Motion 40

    看过本刊第234期Martin Logan的ElectroMotion系列报导后,有没有觉得很心动呢?以Theos为首组成多声道的静电、锥盆混血喇叭,表现肯定跟传统锥盆单体的喇叭不同。可是心动归心动,碍于价格却无法拥有它们,有没
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  • 低音相当宽松 有劲道——Martinlogan Dynamo 500

    Martin Logan于1982年在美国肯萨斯州成立,素以不断追求技术突破及重达自然的音乐声效为宗旨。该品牌独家拥有世界扬声器领域最高难度的曲线式线源静电专利技术,能够将“声”与“型”完美相结合,以此受
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  • 不仅美观 音染更低——Martinlogan Motion 2

    多年以来,MartinLogan的制品都是以「静电混血」喇叭为主力,中、高音以静电板发声,几乎没有音染,快速、有着很高的透明度,这是MartinLogan喇叭的最大特色,Motion系列虽然没有静电板,但是原厂依然希望它
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  • 令人惊讶的强劲能——Martinlogan Motion 6

    都会家庭的居住空间有限,如果想装多声道,采用「喇叭不落地」的小型系统几乎可以说是「不得已的选择」,一般说来,喇叭的体型小、单体小、承受功率低,能够发出的声音能量就比较有限,但这套喇叭并
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  • 不但很好推 还能唱得很大声!——Martinlogan Motion SLM

    提到MartinLogan,玩家们绝对会先联想到静电喇叭,但是本篇为您介绍的「Motion系列」完全没有使用静电发声构造,价格比自家的静电喇叭便宜许多,所有的喇叭都可以壁挂、造型美观又不占空间。 多年以来
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